ReverbNation Charts – Ranked # 3!

We are now number 3 on the ReverbNation Indie charts for San Francisco, CA! Really grateful to everyone’s help in getting there. www.reverbnation.com/samaya2

Over the past couple of weeks I’ve watched our rank climb in the charts. I was stuck at 20something for a while. “Impossible” got a chance to be featured under Crowd Picks on ReverbNation last week, and we shot up to number 3 for the San Francisco Indie charts within a week. I haven’t had a lot of traction on other media channels like YouTube and Soundcloud, so it felt so good to see that a larger number people actually liked the music I was making.

Official Start to Recording Vocals!

Studio Picture

It’s started again, I’m back in the studio this year. The picture above features voice teacher, keys player and producer extraordinaire, Robert Robinson, in a room with one of the best sound systems I have ever come into contact with. Everything sounded amazing in there. We finished recording vocals for two songs. My voice started to fray a little after 1.5 hours of singing, so we’re going to work on the 3rd in the first set this weekend. I’ve been plagued by allergies for the last couple of months for the first time in my life, which has thrown some interesting curve balls my way. 🙂 Wish me luck!

Deep Blue Stems Ready!

We finished creating all the stems for Deep Blue today. The song sounds really different from what I had envisioned when I first started writing it 20 years ago as a child, or even when I finished writing it a few months ago. I love the direction Robert’s given it. Only one more song left, and the album’s done!

Happy Lunar New Year, and for those who don’t celebrate it, I hope you have something else to celebrate today! 🙂

Song of the Day

Despite some difficult events earlier this week, I’ve had a good week and today’s been a happy and peaceful day with warm sunshine spilling into my place. I’m sipping on peppermint tea, perfect for the weather and the season. This song added another calm layer to how good I’m already feeling. 🙂

Wishing everyone a Happy Thanksgiving! Hope your weekend is lovely.

Cheers,

S.

Deep Open Space and Beyond

Max sent across a completely revised version of Impossible a few weeks ago, and it sounds amazing. The song has so much depth now, I can’t even begin to describe how much I love it. Every time I listen to it to practice it, I remember exactly why I wrote it and how I felt when I did. I can’t wait to finish it up and set it free on the web. 🙂

I’ve been working on the rest of my new album with my voice teacher producing the tracks. Robert’s really great to work with, and has an incredible scope of musical knowledge. Some of my best moments are in the studio working with producers like him and Max. I am truly lucky.

I’d set a goal of finishing three new songs in my last post, and I’m done with one of the three. I know what the other two will be, which I guess is a step in the right direction. Wish me luck on finishing the rest soon!

Can’t wait to write the next update, super excited and hope I get to share some new music.

Tchau,

S

Beauty

It was a great feeling getting out of bed and being excited about the start of the day. I had a new downtempo track I’m working on with a couple of producers playing in my head as I got on the train on my way to work. It was my very own soundtrack. I can’t stay away from music. It’s comforting knowing that I won’t give it up.

The Trail Leading to “Impossible”

Max and I have started working to finish “Impossible” as a single. Trying to figure out all the instrumentation is really exciting, but I need to curb my disappointment when a version doesn’t make me cry. 🙂 My gauge for how effective a version is depends on whether it brings me to tears or not because the track really needs to hit me with fresh emotion in order to be working. I just heard the first version and I was nearly crushed because it didn’t make me cry. I sent a rather blunt email in response to Max; I tend to be very frank in my communications whether positive or negative as I think it’s really important to be clear about what you think and want when defining the shape of a track. Can’t wait to hear the next version.

Max is great to work with and is very talented. It takes resilience to have an artist throw criticism at you and not take it personally. I’ve always loved working with him, and I’m really happy to have the chance to work on another track as a team again.